RICHARD HUNT

A descendant of slaves brought to this country through the port of Savannah, Georgia, Hunt grew up on the South Side of Chicago, first in Woodlawn and then Englewood. His father was a barber and his mother was the first Black female librarian in the city of Chicago. During his youth, he was immersed in Chicago's cultural and artistic heritage through art lessons at the South Side Community Art Center (SSCAC) and the Junior School of the Art Institute of Chicago. Regular visits to Chicago’s major public museums trained his eye and captured his interest in African art. Hunt would go on to develop an extensive collection of African Art, which served as an inspiration for his own work.

​

Hunt attended the School of the Art Institute of Chicago (SAIC) on a scholarship. While a student in 1955, Hunt taught himself how to weld. Only two years later, he gained national recognition when the Museum of Modern Art (MoMA) in New York acquired his sculpture, Arachne.

 

When Hunt was nineteen years old, he witnessed the open-casket funeral of Emmett Till in Chicago. Till, who was abducted, tortured, and lynched in Mississippi in 1955, had grown up only two blocks from the Woodlawn home where Hunt was born. Hunt would later remark, “What happened to [Till] could have happened to me.” Hunt went on to create art shaped by this experience, which influenced both his artistic expression and his commitment to the cause of Civil Rights.

​

Inspired by the landmark exhibition, “Sculpture of the Twentieth Century,” and shaken by the brutal death of Emmett Till, Hunt began shaping and welding found metal objects. In 1967, after the Chicago Picasso was unveiled, Hunt began creating works of Cor-Ten steel and later bronze and stainless steel, which he continued using throughout his career. Hunt also created works of cast metal, usually aluminum or bronze, and was an accomplished draftsman who created drawings, lithographs, and screenprints, in addition to many sketched works.

​

After graduating from the SAIC, Hunt went to Europe for a year to study art and worked at the famous Marinelli foundry in Florence. He returned to the U.S. in 1958 when he was called to serve in the military. Incredibly during that same year, Hunt held his first solo exhibition in New York at the Alan Gallery.

 

On March 16, 1960, while serving in the U.S. Army and stationed at Fort Sam Houston in San Antonio, Texas, Hunt was the first African American to be served at the segregated Woolworth’s lunch counter in Alamo Plaza. This brave action made San Antonio the first peaceful and voluntary lunch counter integration in the South.

 

Hunt was the first African American visual artist to serve on the National Council on the Arts, appointed by Lyndon B. Johnson in 1968. He was only 35 years old at the time of his 1971 exhibition at MoMA, the first retrospective for an African American sculptor at the museum. In addition, in 1981 Hunt served as one of eight jurors, the sole African American, for the Vietnam Veterans Memorial competition in Washington, D.C. Hunt sculpted major monuments and sculptures for some of our country’s greatest heroes, including Martin Luther King, Jr., Mary McLeod Bethune, Jesse Owens, Hobart Taylor, Jr., and Ida B. Wells.

 

His sculptures commemorate events from the slave trade and the Middle Passage to the Great Migration. His massive 30-foot, 1,500-pound bronze, Swing Low, a monument to the African American Spiritual, hangs from the ceiling of the National Museum of African American History and Culture. Hunt’s masterpiece, Hero Construction, stands as the centerpiece of the grand staircase at the Art Institute of Chicago. In 2022, Barack Obama commissioned Richard Hunt as the first artist to create a work, Book Bird, for the Obama Presidential Center.

​

A major artist's monograph, Richard Hunt, was published in 2022, becoming the definitive survey of Hunt's work and career. In addition, that same year, the Getty Research Institute (GRI) acquired the Richard Hunt Archive. The GRI noted that “throughout his career, Hunt was central to important landmarks in African American art history and Civil Rights-era action.” Hunt’s archive, over 800 linear feet, is one of the largest artists' archives in the country.

​

Hunt considers artistic freedom to be the most important aspect of his career, “I am interested more than anything else in being a free person. To me, that means that I can make what I want to make, regardless of what anyone else thinks I should make.” That artistic freedom has been recognized and celebrated by the many institutions from which he received 18 honorary degrees and held more than twenty professorships and artist residencies at institutions such as Harvard, Yale, Cornell, Northwestern, the School of the Art Institute, and the University of Illinois.

​

Hunt served on dozens of boards, committees, and councils, including serving as a Commissioner for the National Museum of American Art, part of the Smithsonian Institution. In addition, Hunt received more than 30 major awards, including the John Simon Guggenheim Memorial Fellowship, the Lifetime Achievement Award from the International Sculpture Center, the Fifth Star Award from the City of Chicago, and the Legends and Legacy Award from the Art Institute of Chicago. Just this year, April 24, 2023 was proclaimed “Richard Hunt Day” by Illinois First Lady MK Pritzker, celebrating his life’s achievements and recognition of Hunt as one of our country’s greatest artists.

​

Hunt recently completed the sculptural model for a monument to Emmett Till, to be installed at Till’s childhood home in Chicago. It will commemorate Till and the tragic event that gave rise to the modern Civil Rights movement and to shaping the career of the sculptor, Richard Hunt.

​

​

​

​

​

​

​

For Biography and Archival Inquiries, please contact:

Jon Ott, Biographer of Richard Hunt

jon.ott@richardhuntsculptor.com